
SCROLL DOWN TO SEE THE NEW "PORTALS" BODY OF WORK! The Katrina Collection is a series of mixed media assemblages which incorporate storm debris from Hurricanes Katrina and Gustav. There are approximately 1000 pieces in the collection to date, so most of the pieces are in the archives, located on the right hand side of the poage-just scroll down a little bit.

Gibson Girl is one of those pieces which amuses me because of the unlikely mix of elements. The bust is of plastic and sits inside of a silver gravy server which in turn is mounted in another silver platter. They rest upon a piece of heavily textured glass which is adhered to the inside of a small drawer to a jewelry box. For some reason I did not capture the color with my camera-the bust is painted to reflect the color of the tarnished silver, and the box has been painted a rich maroon. SOLD

Heat of Dixie began with a piece of debris which I have handled dozens of times, waiting to find a place for it. I am not sure what this is, that forms the body of the figure; a knife case perhaps? It is badly damaged, and held together by several coatings of a medium. I rested it upon a purchased metal cross and sandwiched in between is an Alabama license plate. The face and "crown" are of polymer clay. SOLD 7/08


Nautilus Amulet is another one of those amazing finds. My husband had cut the nautilus shape from a piece of copper several months before the storm, and I had hung the strings of beads and charms. It showed up in the debris months after the storm. It is mounted on a rusted piece of painted meatal, a painted charger and a piece of plywood. Three pennies with the "Katrina Patina" complete the piece. SOLD

Squash Blossom Opera incorporates a chair back which was given me by Mrs. Ott of Waveland Avenue, a stringed musical instrument, a copper fan given to me by Dwight from Shabby Chic in Bay St. Louis, a door plate, several pennies, and several turquoise and silver pieces from a squash blossom necklace which survived Katrina in the woods behind my studio. SOLD

Storm Surge is composed from a painted piece pf plywood, a metal basket, a rusty circular saw blade, a piece of tin, and a painted, damaged wooden manequin. This piece is about our flight from the water on August 29. We left so many parts of our lives behind, as symbolized by the detached wooden leg of the figure. 27" x 15" SOLD

Zodiac features three removable neck pieces. It was created from two pieces of plywood supports which were covered with a variety of hand made papers and coated with medium. The face of the figure was formed from polymer clay and painted with acrylics, and mounted on top of a brass crab which my friend Brenda recovered from her property after Katrina. The Body was once a tin ceiling tile that graced a house in pre-Katrina New Orleans. The arms are fragments of one of my bracelets which my husband found in the back almost a year after Katrina, and the leaves were taken from a smashed basket. The neck pieces include beads of stone, glass, and acrylic, as well as African brass kirdi beads and African trade beads, and a Chinese coin. 28" x 28" Other pieces in this series of wall art/wearable art may be seen at my other blog at: http://gordonmixedmedia.blogspot.com. SOLD

Angel with a Basket was a piece that was waiting to be made for a long time. I found this beautifully crushed metal and wicker basket very soon after the storm, and could never find its companion elements. I have paired it with a furniture fragment and a carved Mexican angel I picked up in New Orleans. SOLD


Cairo's Egret is about all the time my husband spent feeding a great white egret out on our pier, before Katrina. It had become a several times daily ritual which we all loved. The piece is made from a salvaged piece of board, a wooden tray, several coins that I dug out of the mud behind my slab, several pieces of tin, and the beautiful, rusted metal egret. 18" x 44" SOLD

Blue Bell, Patron Saint of Redneck Bars is a fun piece that came together very easily. The figure of the woman is mounted upon a baking tray, and is surrounded by what is left of a wrecked painting, two pieces of furniture fragments, a "halo" of metal, two wings, and a plastic cherub. The support for the piece is a fragment of painted plywood. 26" x 40" SOLD

Heron and Fleur de Lis is about two of the reasons that I love the area in which I live- the abundant wildlife of the wetlands, and their proximity to my favorite city. A damaged wood carving of a blue heron, a couple of pieces of bamboo, and a ceiling tin with a raised fleur de lisare supported by a bamboo tray from my house. 14" x 19" SOLD
My friend Nan purchased this piece, and wrote a beautiful poem about it. She and her husband have relocated to Florida, but they have left a part of their lives behind like so many other people. We miss our friends who could not stay after Katrina ripped their lives apart-but we are so grateful for their continued presence in our lives. Here is Nan's poem:
FOR LORI
The blue heron stands proudly, bamboo legs spread.
Behind it, a raised fleur de lisle on a foliage-green background
is attached to a rattan tray.
From the chair where I sit beside a lamp in my house of exile
the piece looks somewhat surreal.
I see a moonlight-like shimmer beneath the heron on the left-hand side.
Stop. Wait. Look closely.
The fleur de lisle is a piece of ceiling tile.
The tile is bent, so the lamplight’s spill results in the illusion of the moonlight shimmer.
The paint has been worn away from the heron’s side
as if it had been beaten by a brutal, uncaring Mother Nature,
and the basket is broken, with missing spikes.
The piece reminds us that Hurricane Katrina wreaked havoc on the Mississippi
Coast,
leaving it -- and us -- battered and bruised.
The piece has been fashioned of found remnants of people’s lives --
mourned, regretted, lost forever.
But we cherish it,
because it also reminds us
that we have spent our lives celebrating the artists
who create order out of chaos --
beauty out of destruction.
Behind it, a raised fleur de lisle on a foliage-green background
is attached to a rattan tray.
From the chair where I sit beside a lamp in my house of exile
the piece looks somewhat surreal.
I see a moonlight-like shimmer beneath the heron on the left-hand side.
Stop. Wait. Look closely.
The fleur de lisle is a piece of ceiling tile.
The tile is bent, so the lamplight’s spill results in the illusion of the moonlight shimmer.
The paint has been worn away from the heron’s side
as if it had been beaten by a brutal, uncaring Mother Nature,
and the basket is broken, with missing spikes.
The piece reminds us that Hurricane Katrina wreaked havoc on the Mississippi
Coast,
leaving it -- and us -- battered and bruised.
The piece has been fashioned of found remnants of people’s lives --
mourned, regretted, lost forever.
But we cherish it,
because it also reminds us
that we have spent our lives celebrating the artists
who create order out of chaos --
beauty out of destruction.
Subscribe to:
Posts (Atom)
"Northeast Quadra nt" from The Katrina Collection The Katrina Collection is a series of mixed media assemblages which incorpor...

-
"Northeast Quadra nt" from The Katrina Collection The Katrina Collection is a series of mixed media assemblages which incorpor...
-
Copper Cross is composed from a rusty metal cross, a bent copper picture frame, a cabinet door and a charger. 15" x 16" SOLD
-
Endurance is a piece I made as a gift to my beautiful town, Bay St. Louis. Along with its sister city Waveland, Bay St. Louis was ground ze...