Untitled. This piece needs no name. It portrays what our home looked like for months after Katrina. 20" x 32" x 15" SOLD
SCROLL DOWN TO SEE THE NEW "PORTALS" BODY OF WORK! The Katrina Collection is a series of mixed media assemblages which incorporate storm debris from Hurricanes Katrina and Gustav. There are approximately 1000 pieces in the collection to date, so most of the pieces are in the archives, located on the right hand side of the poage-just scroll down a little bit.
Isis is named after the Egyptian goddess who was often pictured with ram's horns. This piece is constructed from the leg to a piece of fine furniture and another semi-circular fragment of wood, two curved and formed pieces of metal, a polished glass orb, a gold painted corner embellishment from a picture frame, a copper bracelet, an eastern pendant on a copper chain, and a gothic-shaped arch from post-Katrina Louisiana. The support is another furniture fragment. 22" x 41" SOLD

The Hand of Time is about the human desire to stop time, and nature's refusal to listen. The piece consists of a metal hand from India, mounted on a carved metal plate, which rests on a painted metal bowl. These elements are accompanied by a time worn sea shell, and all of the elements are mounted on a piece of building tin. SOLD

Rusty Garden is fashioned from some of my favorite pieces of debris. I was immediately captivated by the rusted screen which serves as the support for the piece, and fell in love with the flattened wastebasket the minute I laid eyes upon it. The square piece of wood acts as a physical support for the piece, and the battered gold frame is the perfect surround for the image of the Garden of Eden. 34" x 34" SOLD

Silhouette is one of those pieces which took months to put together. I found the exquisite pottery sherd months ago, and could never find the right elements with which to pair it. I found the concave piece of acrylic in a parking lot of a destroyed gas station on the one year anniversary of the storm, as I was waiting for the CBS crew to drive over from New Orleans. A can of pink spray paint and a slver plated bowl completed the piece. 17" x 14" SOLD

Lady, Waiting began with the unusually shaped fragment of a table which I found lying in the ditch near my home. The image from an old masters painting was gleaned from a magazine cover which somehow survived a 35 foot storm surge, and the piece is finished with a kitchen cupboard door, small decorative frames, beaded baskets, coins, metal, and faux “jewels” befitting a lady. 24" x 24" SOLD

Gabriel’s Butterfly features a mask by New Orleans mask maker Gabriel Q. It incorporates a handwritten story about the artist, as well as various pieces of metal, wood, fabric, mardi gras beads, and handmade paper. I don’t know when we will see butterflies around here again, but it will be a joy when they reappear. 17" x 50" SOLD

Twenty Nine is one of the first pieces completed, and symbolizes both the eye of the storm as it made its way up the Pearl River, and the date when our lives were shattered. It is comprised of a digital image of my eye, fragments from two different mixed media pieces, metal, a stone, building paper, and a cupboard door. 24" x 18" SOLD

Amonite Angel is an abstracted human form which features a fossilized ammonite, with its counter clockwise rotational scheme. I am not sure what the central piece of carved wood really is, or where I picked it up-as we approach the year anniversary of the storm, I am begining to forget the source of many of the pieces of debris. Polymer wings and a cowl made from a fragment of a wooden bowl and two battered pieces of plywood complete the piece. 13" x 20" SOLD
Reliquary Angel I 15" x 7". This is a piece in the Reliquary series which also incorporates storm debris. I purchased the angel and the glass, but all three of the wood elements are from debris piles. To see more pieces in the reliquary series, please follow the link above. SOLD

Voodoo is created around a couple of pieces of what is left of my mardi gras costume collection. After 20 years down here, I had accumulated some fine costumes, and I regret their loss. The voodoo doll is from a mardi gras necklace-the year I costumed as a voodoo queen, I had a great time, handing out handmade dolls and bits of gris gris to unsuspecting tourists on Fat Tuesday. The snake came from the Medusa costume I made another year. The rest of the piece consists of a piece of broken mirror, a battered picture frame and a small acrylic platter. 12" x 12" SOLD
Artist of the Waters
for Lori Gordon
When the rains stopped
crashing and the ocean stopped
ravaging and the tears began
to slow,
only then, she stepped over
the rubble that was her own—
from plates to canvas,
from paints to shoes—stepped
into the rest, and began
to look.
Looking past the waste
of each castaway artifact—family
photo, mantelpiece, the post
of a bed, the leg
of a chair, a book, a comb, a still
life, a salt shaker, a magazine
cover in a language unknown,
a dog collar, a dress, the arm
of a doll—she meant
to see
beyond the tattered and torn and
broken things, to gaze
into the pain
of the loss
of each and the whole
that wove together each quilt
of a life. And in the seeing she began
to heal.
© 2007 DJ Gaskin
The Stream of Life
How wondrous is the stream of life;
She mostly gently flows,
And with ease she takes the varied turns,
As if intuitively she knows.
Some obstacles of nature
She encounters along the way,
But she molds herself around them,
Enfolds them as she may.
But let the mighty rains begin
Creating swell on swell,
And the stream of life from gentle state
Becomes a raging hell.
The result will not be pleasant;
There may be damage from the swell
And a sense that life has betrayed itself,
For all will not seem well.
But when the mighty rains subside,
Just wait, and you will see;
In time, a pleasant, gentle flow
Once more the stream will be.
James L. Curry, Jr.

Crescent City Streetcar centers around the damaged metal building which I have had since very soon after the storm. I never knew what to do with it until I paired it with the wonderful old metal sign, and the stained baking pan. I added a strip of handmade paper on the left for balance, and adhered several pieces of glass from that wonderful old smashed disco ball I found on the beach in Waveland. More of the glass tiles, a fragment of fine furniture, and three wood fleur de lis complete the piece. SOLD
Our Lady of Guadalupe is composed from a dark skinned Madonna and child-another of those wonderful little car statues from New Orleans-, a Mexican painted tin box with glass, a molded plastic section of cheap furniture, several glass pieces, two wooden chickens and a painted piece of salvaged plywood.17" x 18" (Those are reflections on the glass at the bottom of the statue) SOLD


A Cultured Life was an interesting piece to put together. It went through at least a dozen different forms before I decided on the final elements. It is composed of a furniture fragment with a drawer and a lazy susan, an autoharp, a small metal disc, a metal frame which I purchased sometime after the storm, and two pieces of fine silver. 16" x 28" x15" SOLD

Emily's Stories is about my beautiful daughter, and the stories she loved as a child. this piece is composed of a ceramic face, a fragment of an earthenware pot, a rhinestone neckpiece from a Mardi gras ball gown, a piece of metal shelving, plaster wings, a metal hand, and a painted piece of plywood. Sold
"Northeast Quadra nt" from The Katrina Collection The Katrina Collection is a series of mixed media assemblages which incorpor...
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"Northeast Quadra nt" from The Katrina Collection The Katrina Collection is a series of mixed media assemblages which incorpor...
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https://www.youtube.com/watch?v=vI1rI_6LGBk
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Lori K. Gordon Artist's Statement: Like so many people along the Gulf Coast, the life I knew was torn apart by Hurricane Katrina. I l...
































