SCROLL DOWN TO SEE THE NEW "PORTALS" BODY OF WORK! The Katrina Collection is a series of mixed media assemblages which incorporate storm debris from Hurricanes Katrina and Gustav. There are approximately 1000 pieces in the collection to date, so most of the pieces are in the archives, located on the right hand side of the poage-just scroll down a little bit.
Angel with a Basket was a piece that was waiting to be made for a long time. I found this beautifully crushed metal and wicker basket very soon after the storm, and could never find its companion elements. I have paired it with a furniture fragment and a carved Mexican angel I picked up in New Orleans. SOLD
Cross for Dianna was a commission from a sweet woman in Texas whose church has been involved with relief work on the coast. She wanted to present the piece as a gift to her church from herself and her husband, who had made several trips to my area. The piece is composed from a wood platter, a scrap of plywood painted with the church's disaster relief symbol, and a ceramic cross. SOLD
Cairo's Egret is about all the time my husband spent feeding a great white egret out on our pier, before Katrina. It had become a several times daily ritual which we all loved. The piece is made from a salvaged piece of board, a wooden tray, several coins that I dug out of the mud behind my slab, several pieces of tin, and the beautiful, rusted metal egret. 18" x 44" SOLD
Blue Bell, Patron Saint of Redneck Bars is a fun piece that came together very easily. The figure of the woman is mounted upon a baking tray, and is surrounded by what is left of a wrecked painting, two pieces of furniture fragments, a "halo" of metal, two wings, and a plastic cherub. The support for the piece is a fragment of painted plywood. 26" x 40" SOLD
Heron and Fleur de Lis is about two of the reasons that I love the area in which I live- the abundant wildlife of the wetlands, and their proximity to my favorite city. A damaged wood carving of a blue heron, a couple of pieces of bamboo, and a ceiling tin with a raised fleur de lisare supported by a bamboo tray from my house. 14" x 19" SOLD
My friend Nan purchased this piece, and wrote a beautiful poem about it. She and her husband have relocated to Florida, but they have left a part of their lives behind like so many other people. We miss our friends who could not stay after Katrina ripped their lives apart-but we are so grateful for their continued presence in our lives. Here is Nan's poem:
FOR LORI
The blue heron stands proudly, bamboo legs spread.
Behind it, a raised fleur de lisle on a foliage-green background
is attached to a rattan tray.
From the chair where I sit beside a lamp in my house of exile
the piece looks somewhat surreal.
I see a moonlight-like shimmer beneath the heron on the left-hand side.
Stop. Wait. Look closely.
The fleur de lisle is a piece of ceiling tile.
The tile is bent, so the lamplight’s spill results in the illusion of the moonlight shimmer.
The paint has been worn away from the heron’s side
as if it had been beaten by a brutal, uncaring Mother Nature,
and the basket is broken, with missing spikes.
The piece reminds us that Hurricane Katrina wreaked havoc on the Mississippi
Coast,
leaving it -- and us -- battered and bruised.
The piece has been fashioned of found remnants of people’s lives --
mourned, regretted, lost forever.
But we cherish it,
because it also reminds us
that we have spent our lives celebrating the artists
who create order out of chaos --
beauty out of destruction.
Behind it, a raised fleur de lisle on a foliage-green background
is attached to a rattan tray.
From the chair where I sit beside a lamp in my house of exile
the piece looks somewhat surreal.
I see a moonlight-like shimmer beneath the heron on the left-hand side.
Stop. Wait. Look closely.
The fleur de lisle is a piece of ceiling tile.
The tile is bent, so the lamplight’s spill results in the illusion of the moonlight shimmer.
The paint has been worn away from the heron’s side
as if it had been beaten by a brutal, uncaring Mother Nature,
and the basket is broken, with missing spikes.
The piece reminds us that Hurricane Katrina wreaked havoc on the Mississippi
Coast,
leaving it -- and us -- battered and bruised.
The piece has been fashioned of found remnants of people’s lives --
mourned, regretted, lost forever.
But we cherish it,
because it also reminds us
that we have spent our lives celebrating the artists
who create order out of chaos --
beauty out of destruction.
Sleeping on the Asphalt is about that first couple of weeks after Katrina, when so many people were sleeping outside in parking lots. My husband and I spent a period of time sleeping on the asphalt of a motel parking lot in Waveland, along with hundreds of other people. It was a strange experience I hope not to repeat. The "halo" doubles in meaning as a helicopter blade- the chopper base was across the street, and the landings and take-offs went on uninterrupted for weeks. The dirty arms and legs recall our inability to remain clean, with no power or water, and the door plate indicates that our shelter had been taken from us. The vertical structure is a piece of driftwood which symbolizes the storm surge, and the chair back points to the deconstructed condition of our lives. The rusted wire is about how we were trying desperately to hold ourselves together. 22" x 23" SOLD
Nautilus has as its center of interest a delicate nautilus shell that somehow survivied among the wreckage of my studio. It is sheltered within a glassed wooden box, and mounted on another piece of wood that was once the base to a sculpture. The counter clockwise rotation of the spiral has, of course, another level of meaning. 14" x 14" SOLD
Gnostic is a small piece that packs a wallop. It is composed from an angel form of wire, a plaster head and hands, a cowl made from a shell I picked up on North Beach in Port Townsend, Washington, windshield glass, rhinestones from a mardi grasa ball gown, three beer caps, a fragment of a painting and a piece of wood. Gnosticism has to do with the notion that transcendence can be achieved via intuitive means. 18" x 21" SOLD
Asian Icon starts with a beautifully painted furniture fragment I recovered from a debris pile outside of an antiques store in Bay St. Louis. It is paired with another wood element, also from a debris pile in Bay St. Louis, and a piece I picked up in Pt. Townsend, Washington- a wonderful molded polymer "icon" with doors that close on the many Buddhas carved within. 17" x 22" SOLD
Battered Angel begins with a door to a kitchen cupboard with the molding slightly rearranged. It is layered with a piece of an acrylic painting, a bit of metal from a windvane and another from a tin can, a glass face, painted wooden wings inset with mirror tiles, and a doll's body which has been extensively damaged. 15" x 24" SOLD
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"Northeast Quadra nt" from The Katrina Collection The Katrina Collection is a series of mixed media assemblages which incorpor...
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Copper Cross is composed from a rusty metal cross, a bent copper picture frame, a cabinet door and a charger. 15" x 16" SOLD
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"Northeast Quadra nt" from The Katrina Collection The Katrina Collection is a series of mixed media assemblages which incorpor...
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This is a 20 minute film about my work. It focuses on The Katrina Collection, and plans for the second stage of The Labat Project. Click o...